70's, 80's 'Feel Good' Music

[postnew]

"Can't We Try" is a 1987 duet performed by Dan Hill and Vonda Shepard. The ballad was Billboard's No. 1 Adult Contemporary Song of the Year for 1987.
"Can't We Try" was released as a single from Dan Hill's 1987 self-titled album. The song reached No. 6 on the Billboard Hot 100 and also on Cash Box, making it Dan Hill's second-biggest hit behind "Sometimes When We Touch", which hit No. 3 back in 1978, and was Vonda Shepard's only Top 10 Pop hit.
It also reached No. 2 for three weeks on the Billboard Adult Contemporary chart (behind "I Wanna Dance with Somebody" by Whitney Houston and "Moonlighting" by Al Jarreau). In Canada, the song reached No. 14.

Dan Hill, Vonda Shepard - Can't We Try​

​

In 1998, Rockell covered the song as a duet with Collage. It was her third single from her 1998 debut album, What Are You Lookin' At? and third single overall. This song reached No. 59 on the Billboard Hot 100 as well as No. 11 on the Hot Dance Music/Maxi-Singles Sales chart.

​

In 1988, Hong Kong singer Gina Lam and Andy Hui covered this song in Cantonese.

​

 

[postnew]

v"Barbra Streisand" is a song by Canadian-American DJ duo Duck Sauce. It was released on September 10, 2010. The song topped the charts in Austria, Belgium, Finland, the Netherlands, Norway, Scotland, and Switzerland and peaked within the top ten of the charts in Australia, Denmark, France, Germany, Israel, Italy, Ireland, Spain, Sweden, and the United Kingdom. On November 30, 2011, the song received a nomination at the 54th Grammy Awards for Best Dance Recording. It was also featured on Just Dance 3 for the Nintendo Wii and the Xbox Kinect.
The song, named after the American singer and actress Barbra Streisand, relies almost entirely on a sample replay of German disco group Boney M.'s 1979 international hit single "Gotta Go Home", which in turn borrows content from the 1973 German song "Hallo Bimmelbahn" by the band Nighttrain (the brothers Heinz and Jürgen Huth and Michael Holm; the hookline was written only by Heinz Huth). The sample replay of "Gotta Go Home" was produced by Mark Summers at SCORCCiO Replays. The song's lyrics consist entirely of the name "Barbra Streisand" being spoken throughout the piece.
The single's album artwork is modelled directly after Streisand's own 1980 album, Guilty, which features a photograph of her and Barry Gibb embracing on the sleeve. For the "Barbra Streisand" cover, Streisand and Gibb's are instead presented in the form of a black and white line drawing, with duck beaks superimposed over their otherwise blank faces.
The music video is set in New York City (where Barbra Streisand was born) and it features many prominent and affiliated artists making cameo appearances, such as Kanye West, Pharrell Williams, André 3000, Ryan Leslie, Buckshot, Cocoa Brovaz, DJ Premier, Todd Terry, Chromeo, DJ Mehdi, So Me (who also directed the video), Diplo, Ezra Koenig, Santigold, Yelawolf, Questlove and Fafi and The Fat Jew of Team Facelift. Barbra Streisand herself is not present in the music video, but it features her impersonator, Gayle Robbins

Duck Sauce - Barbra Streisand​

Boney M. - Gotta Go Home​

​

 

[postnew]

"You Drive Me Crazy" is a song by Welsh rock and roll singer Shakin' Stevens, released in April 1981 from his album Shaky. It peaked at number 2 on the UK Singles Chart for four weeks behind Adam and the Ants' "Stand and Deliver"

Shakin Stevens - You drive me Crazy​

​

 

[postnew]

Thief of Hearts is a 1984 American erotic drama film produced by Don Simpson and Jerry Bruckheimer. It was written and directed by Douglas Day Stewart.
It stars Steven Bauer, Barbara Williams, John Getz and David Caruso.

Thief Of Hearts · Melissa Manchester
℗ 1984 UMG Recordings, Inc.
Released on: 1984-01-01
Producer: Harold Faltermeyer
Composer Lyricist: Keith Forsey
Composer Lyricist: Giorgio Moroder
Composer Lyricist: Melissa Manchest

Thief Of Hearts, - Melissa Manchester​

​

 

[postnew]

"Hello Darlin'" is a song written and recorded by American country music artist Conway Twitty. It was released in March 1970 as the first single and title track from the album Hello Darlin. The song was Twitty's fourth No. 1 song on the Billboard magazine Hot Country Singles chart. The song spent four weeks atop the Billboard Hot Country Singles chart that summer, and was named the No. 1 song of 1970. Aside from being Twitty's standard concert opener, the song became a country standard as well as his signature song. When performing with Loretta Lynn, Twitty would frequently sing the song directly to Loretta. Twitty's recording was added to the Grammy Hall of Fame in 1999.
The song is about a man who runs into an old flame and, after acknowledging to her "You're just as lovely as you used to be," tries to put up his bravado by saying he's getting along fine without her, "except," he admits, "I can't sleep, and I cry all night 'til dawn." He then details his deep sorrow for his mistakes that led to the breakup of their relationship, then – after sharing an embrace "just for old time's sake" – bids her well. Before the second half, he says that if she would forgive him, he'll be waiting for her.

Conway Twitty -- Hello Darlin'​

​

 

[postnew]

"Rest Your Love on Me" is a country ballad performed by the Bee Gees and written and sung by Barry Gibb. It was the B-side of the US No. 1 hit "Too Much Heaven". Andy Gibb recorded the song as a duet with Olivia Newton-John for his 1980 album After Dark.
"Rest Your Love on Me" was written by Barry Gibb in 1976 and recorded it on 2 May on the Children of the World sessions. Stephen Stills played bass on its original demo.

​

It was not used until "Too Much Heaven" was released, as "Rest Your Love on Me" was chosen as the B-side. As a country song, it did not fit in with what the Bee Gees were putting on their albums, even though they continued to write the occasional country song, like "Where Do I Go", also left off the forthcoming album.
The Osmonds, themselves beginning a transition from pop/rock to country music, recorded the song under Maurice Gibb's direction shortly before the Bee Gees released their version, but not released until afterward. In January 1979, Andy Gibb and Olivia Newton-John would perform it at the Music for UNICEF Concert, the first time most people would have heard it.

The Osmonds - Rest Your Love On Me​

​

"Rest Your Love on Me" was recorded by Conway Twitty in 1980 for his album of the same name. It was his 25th number one on the country chart as a solo artist. The single went to number one for one week and spent a total of ten weeks within the top 40.

Conway Twitty - Rest Your Love On Me​

​

 

[postnew]

"Call Me" is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Produced and composed by Italian musician Giorgio Moroder, with lyrics by Blondie singer Debbie Harry, the song appeared in the film and was released in the United States in early 1980 as a single. "Call Me" was No. 1 for six consecutive weeks on the Billboard Hot 100, where it became the band's biggest single and second No. 1. It also hit No. 1 in the UK and Canada, where it became their fourth and second chart-topper, respectively. In the year-end chart of 1980, it was Billboard's No. 1 single and RPM magazine's No. 3 in Canada.
"Call Me" was composed by Italian disco producer Giorgio Moroder as the main theme song of the 1980 film American Gigolo.
Moroder originally asked Stevie Nicks from Fleetwood Mac to perform a song for the soundtrack, but she was prevented because of a recently signed contract with Modern Records. Moroder turned to Debbie Harry of Blondie, presenting Harry with an instrumental track called "Man Machine". Harry was asked to write the lyrics, a process that Harry states took a mere few hours. The lyrics were written from the perspective of the main character in the film, a male prostitute.
Harry said the lyrics were inspired by her visual impressions from watching the film and that "When I was writing it, I pictured the opening scene, driving on the coast of California." The completed song was then recorded by the band, with Moroder producing. The bridge of the original English-language version also includes Harry saying "call me" in two European languages: Italian: Amore, chiamami, lit. 'Love, call me' and French: Appelle-moi, mon chéri, lit. 'Call me, my darling'.

Call Me Blondie​

Call Me (American Gigolo)​

​

 

[postnew]

"A Fifth of Beethoven" is a disco instrumental recorded by Walter Murphy and the Big Apple Band, adapted from the first movement of Ludwig van Beethoven's Symphony No. 5. The record was produced by production music and sound effects recording producer Thomas J. Valentino. The "Fifth" in the song's title is a pun, referencing a liquid measure approximately equal to one-fifth of a gallon, a popular size for bottles containing liquor, as well as Beethoven's Fifth Symphony from which the song was adapted.
Released as a single by Private Stock Records in 1976, the song debuted at number 80 on the Billboard Hot 100 chart and climbed to number 1 within 19 weeks, remaining there for one week. In 1977, it was licensed to RSO Records for inclusion on the best-selling Saturday Night Fever soundtrack. The song is one of Murphy's few Top 40 hits.

Walter Murphy & The Big Apple Band ~ A Fifth Of Beethoven​

​