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Will he be the next Donnie yen?
- Thread starter micromachine
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I think our Chris Lee has potential.
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Max zhang like donnie has already acted in quite a few Hollywood movies...both are not too tall and hunky like wu jing...however max has the chow bin as he rarely smiles and may end up being his Achilles heels..anyway donnie is a fine example of never give up he only got his big break in his mid 40s...
HK
Donnie Yen is The Man of Action
PEOPLE & EVENTS
09 Oct 2019
Donnie Yen is The Man of Action
GERSHWIN CHANG
Watch Hublot Meca-10 Blue Ceramic Skeleton 10-Days | Outfit Loro Piana
As Donnie Yen prepares to bid farewell to the role that has defined his career, he talks to us about what he’s learned, what’s coming next and why he’ll never stop striving for filmmaking perfection.
When the movie Ip Man was released in 2008, it conjured up an image of the martial-arts grandmaster as a gentle and cultured mentor with remarkable kung fu skills. That same persona has also become synonymous with the actor who portrays him, Donnie Yen, so the December release of the final chapter in the film franchise, Ip Man 4, is expected to impact not only the cinematic story of Wing Chun, aka Ip Man, but also Yen himself.
With the Ip Man series now in its 12th – and, one assumes, last – year, how does Yen regard the franchise, not only in and of itself, but also in terms of its place in Hong Kong cinema, not to mention its effect on his own career as an actor and filmmaker? What, in other words, does Donnie Yen think about Donnie Yen – and where does he see himself going from here?
For many people, Donnie Yen is Ip Man, just as Robert Downey Jr has become Iron Man. So will it be Yen who’s playing his next character or Ip Man? The conundrum brings to mind the words of the famous Peking Opera artist Mei Lanfang on the subject of acting: “Those who look at you do not see your own self; when you look at yourself you don’t see your own self either. Whoever performs a certain character, whatever it is, has the duty to look like that.”
Playing Ip Man has undoubtedly advanced Yen’s career, and after more than 10 years he’s developed quite a feeling for the role. “At the beginning, no one predicted that Ip Man would be so successful,” he says, “though now I realise I’ve studied for this role more intensively than for any other. He’s a master who’s introverted and represents the character of the Chinese nation.”
Yen also acknowledges the gradual evolution of the character, from Ip Man to Ip Man 4: “Compared to the action style of traditional martial-arts movies, I believe that people can see how my style and my performance have developed.”
Watch Hublot Classic Fusion Ferrari GT 3D Carbon | Outfit Loro Piana | Sunglasses DonniEYE
Of course, there’s much more to Yen than Ip Man, though just as his portrayal of Chen Zhen in the 1990s TV series Fist of Fury kicked off his acting career, the role of Ip has filled his sails immeasurably. “I can honestly say that because of Ip Man, I’ve been given many opportunities by the movie industry. It’s my biggest achievement,” he says.
The 56-year-old actor’s more recent repertoire includes playing the mythological Sun Wukong in The Monkey King, Guan Yu in The Lost Bladesman and the Hong Kong gangster Crippled Ho in the Wong Jing and Jason Kwan-directed Chasing the Dragon. He’s even stepped out into the international arena to play the blind monk Chirrut Îmwe in Rogue One: A Star Wars Story, the agent Xiang in xXx: Return of Xander Cage and taken on the role of the commander in Disney’s soon-to-be-released Mulan.
“As an actor, it’s important to have opportunities,” says Yen. “You get a good role [and you’re the first one to play it]. Of course, luck works to quite a large extent, but whether you can seize the opportunity depends on whether you work hard enough. I understand that, as an actor, you shouldn’t lose yourself in transient success – you have to progress continually.”
Yen also understands that because of Ip Man’s success, he’s needed to redouble his efforts so that audiences can appreciate his range as an artist. Although he now has an impressive body of work behind him, there’s also the pressure that comes from being defined by what he’s done before. “It’s actually the biggest problem for an actor,” he says. “I’ve never stopped worrying about it.”
Watch Hublot Big Bang Tourbillon Power Reserve 5 Days Sapphire Diamonds | Outfit Loro Piana
Fortunately, says Yen, there’s a realisation that everything has to stop sometime – and for him Ip Man 4 is less an ending than a new beginning. “When you’ve finished playing one role, the new task is to break through the shadow that the role has cast over you. Professional actors should never stop searching – it’s how you constantly make progress and move forward.”
As to the fans who are unwilling to see him abandon his most famous role, he says they should wait and see: “Perhaps the future holds some surprising performances from Donnie Yen. So stay tuned.”
As well as his performances in the Ip Man series, Yen is also highly regarded as an action director in his own right, learning his craft from the influential martial-arts choreographer Yuen Woo-ping in the 1992 Tsui Hark-directed Once Upon a Time in China 2, in which he played the role of Nap-lan Yun-seut; the famous “cloth stick” fight scene was Yen’s idea. He made his directorial debut in 1997 with Legend of the Wolf, following which he was invited to choreograph fight scenes and play cameos in numerous Hollywood movies (Highlander: Endgame, 2000; Blade II, 2002).
Yen’s contribution behind the scenes continues to this day. Much of Chirrut Îmwe’s style in Rogue One was born of Yen’s imagination, as were the ideas for the music, settings and social atmosphere in Chasing the Dragon. “There were many opinions and disputes over Chasing the Dragon,” he says, “but the results proved me right and provided my working partner Wong Jing with six nominations from the Hong Kong Film Awards for the first time in his career.” Yen’s modest pride in his filmmaking input is palpable, and if the effects the film presents can be interpreted differently, the determination of Yen to take his own path is obvious.
Yen believes that his involvement behind the scenes as part of the production team has spurred his own progress as a filmmaker. “No matter what I’m doing, I don’t give up for a second, and I find fun in the process of search and discovery. Because of this I can be passionate about what I do. The whole team learns and grows together. People shouldn’t shirk from sharing their feelings. This is the way to achieve the best results.”
Watch Hublot Big Bang MP-11 Power Reserve 14 Days 3D Carbon | Outfit Loro Piana | Sunglasses DonniEYE
This self-imposed requirement for constant growth isn’t easy. “The filmmaking process is hard,” Yen insists, “but in the end it’s satisfying because participation in every little thing related to the birth of a movie is a kind of creation.” He laughs, and says, “Filmmakers who are willing to keep improving seem to have a strange illness in that the busier they are, the better in spirit they seem to be. The busier the better. If I’m free, just spending time on rest and leisure, my whole person gets lax.”
This is how Yen has always been. Creation brings a kind of pressure and responsibility. “Because I hope to present the best results, to film and make the best works, and to show the best Donnie Yen from any angle, I won’t disappoint those who entrust me. My personal contribution also represents the efforts of everyone, so I believe that the final effect has to be very good.”
Yen is used to playing a multitude of roles. “Now, when I’m acting, I know that I need to concentrate on how I should play the role, to keep direction and vision, and try to present the image of the character from different angles; and if I’m behind the scenes, then I think about how I should view the script.
“A good actor needs to think from the perspective of actor, director, supervisor, martial-arts direction, props and the actual situation. You need to think clearly.” After decades, Yen believes he’s developed a method that works. “Many people have asked me how I can balance so many different identities. It may be because, after decades, I’m used to asking myself what should the on-the-scenes actor think? What should the behind-the-scenes personnel think? It’s become like a reflex.”
Isn’t that tiresome? “I hope people won’t see me as that complicated.” He laughs and says that while the Donnie Yen we see on screen may seem like a superhero, he’s actually an ordinary person. “People’s expectations of me are too high. I don’t want such heavy pressure.”
He’s the same as everyone else. He gets tired and emotional, he has his likes and dislikes, and his own ideological standpoint. “From the audience’s perspective, I hope everyone can see my enthusiasm for movies.”
As an entertainer, sometimes it’s not possible to fully satisfy an audience’s expectations. When rating a filmmaker, one can’t just evaluate him or her through one work. “You surely need a lifetime, then you give a total score. Evaluate myself?” Yen asks. “Wow, lots of room for improvement! But I’m doing my best. With passion, determination and a bit of luck, I hope audiences will come to know this is the real Donnie Yen.”
Photography Olivia Tsang
Styling Alice Lin
Hair Kenji Ng at Il Colpo
Grooming Little White
Location Rosewood Hong Kong
Actor
Interview
Ip Man
Donnie Yen
Hublot
Loro Piana
Donnieye
Rosewood Hong Kong
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HK
Donnie Yen is The Man of Action
PEOPLE & EVENTS
09 Oct 2019
Donnie Yen is The Man of Action
GERSHWIN CHANG
Watch Hublot Meca-10 Blue Ceramic Skeleton 10-Days | Outfit Loro Piana
As Donnie Yen prepares to bid farewell to the role that has defined his career, he talks to us about what he’s learned, what’s coming next and why he’ll never stop striving for filmmaking perfection.
When the movie Ip Man was released in 2008, it conjured up an image of the martial-arts grandmaster as a gentle and cultured mentor with remarkable kung fu skills. That same persona has also become synonymous with the actor who portrays him, Donnie Yen, so the December release of the final chapter in the film franchise, Ip Man 4, is expected to impact not only the cinematic story of Wing Chun, aka Ip Man, but also Yen himself.
With the Ip Man series now in its 12th – and, one assumes, last – year, how does Yen regard the franchise, not only in and of itself, but also in terms of its place in Hong Kong cinema, not to mention its effect on his own career as an actor and filmmaker? What, in other words, does Donnie Yen think about Donnie Yen – and where does he see himself going from here?
For many people, Donnie Yen is Ip Man, just as Robert Downey Jr has become Iron Man. So will it be Yen who’s playing his next character or Ip Man? The conundrum brings to mind the words of the famous Peking Opera artist Mei Lanfang on the subject of acting: “Those who look at you do not see your own self; when you look at yourself you don’t see your own self either. Whoever performs a certain character, whatever it is, has the duty to look like that.”
Playing Ip Man has undoubtedly advanced Yen’s career, and after more than 10 years he’s developed quite a feeling for the role. “At the beginning, no one predicted that Ip Man would be so successful,” he says, “though now I realise I’ve studied for this role more intensively than for any other. He’s a master who’s introverted and represents the character of the Chinese nation.”
Yen also acknowledges the gradual evolution of the character, from Ip Man to Ip Man 4: “Compared to the action style of traditional martial-arts movies, I believe that people can see how my style and my performance have developed.”
Of course, there’s much more to Yen than Ip Man, though just as his portrayal of Chen Zhen in the 1990s TV series Fist of Fury kicked off his acting career, the role of Ip has filled his sails immeasurably. “I can honestly say that because of Ip Man, I’ve been given many opportunities by the movie industry. It’s my biggest achievement,” he says.
The 56-year-old actor’s more recent repertoire includes playing the mythological Sun Wukong in The Monkey King, Guan Yu in The Lost Bladesman and the Hong Kong gangster Crippled Ho in the Wong Jing and Jason Kwan-directed Chasing the Dragon. He’s even stepped out into the international arena to play the blind monk Chirrut Îmwe in Rogue One: A Star Wars Story, the agent Xiang in xXx: Return of Xander Cage and taken on the role of the commander in Disney’s soon-to-be-released Mulan.
“As an actor, it’s important to have opportunities,” says Yen. “You get a good role [and you’re the first one to play it]. Of course, luck works to quite a large extent, but whether you can seize the opportunity depends on whether you work hard enough. I understand that, as an actor, you shouldn’t lose yourself in transient success – you have to progress continually.”
Yen also understands that because of Ip Man’s success, he’s needed to redouble his efforts so that audiences can appreciate his range as an artist. Although he now has an impressive body of work behind him, there’s also the pressure that comes from being defined by what he’s done before. “It’s actually the biggest problem for an actor,” he says. “I’ve never stopped worrying about it.”
Fortunately, says Yen, there’s a realisation that everything has to stop sometime – and for him Ip Man 4 is less an ending than a new beginning. “When you’ve finished playing one role, the new task is to break through the shadow that the role has cast over you. Professional actors should never stop searching – it’s how you constantly make progress and move forward.”
As to the fans who are unwilling to see him abandon his most famous role, he says they should wait and see: “Perhaps the future holds some surprising performances from Donnie Yen. So stay tuned.”
As well as his performances in the Ip Man series, Yen is also highly regarded as an action director in his own right, learning his craft from the influential martial-arts choreographer Yuen Woo-ping in the 1992 Tsui Hark-directed Once Upon a Time in China 2, in which he played the role of Nap-lan Yun-seut; the famous “cloth stick” fight scene was Yen’s idea. He made his directorial debut in 1997 with Legend of the Wolf, following which he was invited to choreograph fight scenes and play cameos in numerous Hollywood movies (Highlander: Endgame, 2000; Blade II, 2002).
Yen’s contribution behind the scenes continues to this day. Much of Chirrut Îmwe’s style in Rogue One was born of Yen’s imagination, as were the ideas for the music, settings and social atmosphere in Chasing the Dragon. “There were many opinions and disputes over Chasing the Dragon,” he says, “but the results proved me right and provided my working partner Wong Jing with six nominations from the Hong Kong Film Awards for the first time in his career.” Yen’s modest pride in his filmmaking input is palpable, and if the effects the film presents can be interpreted differently, the determination of Yen to take his own path is obvious.
Yen believes that his involvement behind the scenes as part of the production team has spurred his own progress as a filmmaker. “No matter what I’m doing, I don’t give up for a second, and I find fun in the process of search and discovery. Because of this I can be passionate about what I do. The whole team learns and grows together. People shouldn’t shirk from sharing their feelings. This is the way to achieve the best results.”
This self-imposed requirement for constant growth isn’t easy. “The filmmaking process is hard,” Yen insists, “but in the end it’s satisfying because participation in every little thing related to the birth of a movie is a kind of creation.” He laughs, and says, “Filmmakers who are willing to keep improving seem to have a strange illness in that the busier they are, the better in spirit they seem to be. The busier the better. If I’m free, just spending time on rest and leisure, my whole person gets lax.”
This is how Yen has always been. Creation brings a kind of pressure and responsibility. “Because I hope to present the best results, to film and make the best works, and to show the best Donnie Yen from any angle, I won’t disappoint those who entrust me. My personal contribution also represents the efforts of everyone, so I believe that the final effect has to be very good.”
Yen is used to playing a multitude of roles. “Now, when I’m acting, I know that I need to concentrate on how I should play the role, to keep direction and vision, and try to present the image of the character from different angles; and if I’m behind the scenes, then I think about how I should view the script.
“A good actor needs to think from the perspective of actor, director, supervisor, martial-arts direction, props and the actual situation. You need to think clearly.” After decades, Yen believes he’s developed a method that works. “Many people have asked me how I can balance so many different identities. It may be because, after decades, I’m used to asking myself what should the on-the-scenes actor think? What should the behind-the-scenes personnel think? It’s become like a reflex.”
Isn’t that tiresome? “I hope people won’t see me as that complicated.” He laughs and says that while the Donnie Yen we see on screen may seem like a superhero, he’s actually an ordinary person. “People’s expectations of me are too high. I don’t want such heavy pressure.”
He’s the same as everyone else. He gets tired and emotional, he has his likes and dislikes, and his own ideological standpoint. “From the audience’s perspective, I hope everyone can see my enthusiasm for movies.”
As an entertainer, sometimes it’s not possible to fully satisfy an audience’s expectations. When rating a filmmaker, one can’t just evaluate him or her through one work. “You surely need a lifetime, then you give a total score. Evaluate myself?” Yen asks. “Wow, lots of room for improvement! But I’m doing my best. With passion, determination and a bit of luck, I hope audiences will come to know this is the real Donnie Yen.”
Photography Olivia Tsang
Styling Alice Lin
Hair Kenji Ng at Il Colpo
Grooming Little White
Location Rosewood Hong Kong
Actor
Interview
Ip Man
Donnie Yen
Hublot
Loro Piana
Donnieye
Rosewood Hong Kong
GERSHWIN CHANG
Talk to Me About:
Prestige
PEOPLE & EVENTS
19 Dec 2019
Travel with Blogger @Danielhungryhk
FONTAINE CHENG Digital Writer
In our latest travel series, we journey the world with some of our favourite frequent fliers — from Abu Dhabi to Zurich, Changi to Heathrow — to find out what they’re like on the go. Warning: travel envy ensues.
Name: Daniel Haddad
Profession: Travel Blogger
Passport: British
Countries Visited: Approximately 40
Where was your last destination? And what were you there for?
Phu Quoc, Vietnam. I was there working with a few resorts.
What was the best and worst thing about it?
The best thing was the beautiful beaches and delicious, fresh seafood.
The island is still relatively new to the tourist scene, so the only downside is that many of the staff (even in the larger hotels) don’t speak any English. This can make communication during your stay a bit difficult, but I didn’t find it a huge problem and I like to experience the local culture and charm.
What do you never travel without?
My family. My wife, two kids and I have been travelling together full time for the past 4 years. A trip would not be complete without them.
What’s your favourite travel ensemble ?
You will usually find me in comfortable clothes. Either jeans and a basic tee or shorts, t-shirts, and flip flops. I find it’s the most comfortable for long days of exploring and seeing local markets and streets.
Where is your favourite hotel ?
I am a huge supporter of the Soneva brand. Their hotels in the Maldives, Soneva Fushi and Soneva Jani, are truly one of a kind. Not only are they luxurious, beautifully designed and in unforgettable locations, but they also put a huge emphasis on being kind to the environment. Everything from farming their own vegetables and recycling on site, to solar panels and ensuring the resorts are zero waste. Travelling all the time, we have become very aware of the effect on our Earth and brands like Soneva sets a great example of how we can appreciate a destination without leaving it in ruins.
What’s your favourite airline and why?
Cathay Pacific is comfortable, has amazing service, and their Business Class is always a decadent treat. It helps that they fly direct to so many destinations from Hong Kong, which is our priority.
Tell us your most memorable travel story .
Over the summer we spent a month in the Maldives and our children swam with stingrays, turtles, and dolphins. It was truly incredible to see our daughter who is only five become so comfortable in the ocean. She went snorkelling at a location that was completely out of her depth. We’ll always remember her swimming beside a turtle and how brave she was in the new situation.
Show us your favourite travel photo!
This was a rainy day but we came to the beach and there were tons of stingrays swimming over to say hello. It was such a magical sight.
Where is your favourite airport and why?
Changi Airport in Singapore really has everything. You’ll find lounges, hotels in the terminal during long layovers, a huge variety of restaurants and shops, and a kids play area which is essential for us.
Share your top travel tip(s) with us!- Stay longer at a location to truly absorb the culture and dig deeper than the usual sights. Don’t just check off a list of must sees and popular destinations.
- Return to your favourite cities and see more of what you loved, be adventurous with local food, converse with the people around you, and see each country’s way of life.
- Make your travel experience richer than just a few famous landmarks and what’s top of the list on TripAdvisor. Exploring is how you find all the best hidden spots.
Keep yourself as busy as possible in the day so you aren’t tempted to take that nap. A glass of wine or two also helps in the evenings.
What item(s) do you carry on and use in-flight?
Noise cancelling headphones, a neck pillow, and iPads to keep the kids occupied.
Where are you off to next?
Hokkaido for a few weeks. Sapporo is one of my favourite winter destinations and has amazing seafood and restaurants. We are spending a few days in Sapporo and then heading to Otaru for Christmas. We are taking the kids for ski lessons at Asari Ski Resort, which is a great option if you want to be near all the restaurants and shops in Sapporo, but still want to fit in a bit of skiing.
Daniel Haddad
Travel With...
FONTAINE CHENG Digital Writer
Born and bred in London, Fontaine is a self-proclaimed foodie with extensive experience in the luxury lifestyle landscape. When not exploring the world — discovering cultures and tasting new dishes — she can be found sipping a nice cup of tea (or G&T) hoping to adopt a puppy.
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Reality vs wing chun.
Very clear this WingChun fighter is showing great mercy and restraint by not employing his deadly 1 inch punch
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