Sun’s intention to colonialise Western dance: by adding Asian embellishments to the Jamaican dutty wine and calling the product her own, Sun performs the distinctively colonialist move of conquest and incorporation, absorbing Jamaican dance into the Geisha’s musical engine. Hence, Sun’s entire China Wine project begins by allowing herself to be Orientalised before exploiting the Orientalist ideological scaffold to reverse the power dynamic in her favour, becoming the “Jamaican Asian” (00:02:09-00:02:13) who controls her Jamaican subjects by incorporating them into her Asian choreography.