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70's, 80's 'Feel Good' Music

"Don't Let Me Be Misunderstood" is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for American singer-songwriter and pianist Nina Simone, who recorded the first version in 1964 for her album Broadway-Blues-Ballads. "Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals on their album Animal Tracks, which was a blues rock version; and in 1977 by the disco group Santa Esmeralda on their album Don't Let Me Be Misunderstood, which was a four-on-the-floor rearrangement. A 1986 cover by new wave musician Elvis Costello found success in Britain and Ireland.

The Animals - Don't Let Me Be Misunderstood​





Elvis Costello - Don't Let Me Be Misunderstood​

 
"Running Up That Hill" (also titled "Running Up That Hill (A Deal with God)") is a song by the English singer-songwriter Kate Bush. It was released in the UK as the lead single from Bush's fifth studio album, Hounds of Love, on 5 August 1985 by EMI Records.

Bush wrote and produced "Running Up That Hill" using a Fairlight CMI synthesiser and a LinnDrum drum machine. The lyrics imagine a man and a woman who make "a deal with God" to exchange places. The music video features Bush performing an interpretive dance; Bush wanted to create a serious work, feeling dance had been trivialised in other videos.

In 1985, "Running Up That Hill" reached number three on the UK singles chart, Bush's highest position since her number-one 1978 single "Wuthering Heights". It was named among the year's best tracks by Melody Maker and was nominated for British Single of the Year at the 1986 Brit Awards. In 2012, a remix used in that year's Summer Olympics closing ceremony reached number six.

In 2022, after it was featured in the fourth season of the Netflix series Stranger Things, "Running Up That Hill" reached number one in eight countries, including the UK. It is Bush's only US top-40 hit, reaching number 30 on the Billboard Hot 100 chart in 1985 and number three in 2022. In 2023, it reached a billion streams on Spotify.

Kate Bush - Running Up That Hill​


Max’s Song (Full Scene) | Kate Bush - Running Up That Hill | Stranger Things | Netflix​

 
"Waiting for a Star to Fall" is a song by American pop music duo Boy Meets Girl in 1988, written by the duo's members, Shannon Rubicam and George Merrill. They wrote the song after witnessing a falling star at a Whitney Houston concert and originally offered the song to Houston, but Arista Records CEO Clive Davis rejected it. American singer Belinda Carlisle then recorded a demo of the song but refused its inclusion on her 1987 album Heaven on Earth, so Rubicam and Merrill decided to record and release the song themselves.

Boy Meets Girl - Waiting For A Star To Fall​



"Waiting for a Star to Fall" was released in June 1988 as the lead single from Boy Meets Girl's second studio album, Reel Life (1988). The song became a chart hit in several countries, reaching number five on the US Billboard Hot 100, number one in Canada, number five in Ireland, and number nine in the United Kingdom. Since its release, it has been remixed and covered by many artists, including Cabin Crew and Sunset Strippers, who experienced concurrent success with their reworkings in 2005.​

Belinda Carlisle - Waiting for a Star To Fall​

 
"Separate Ways (Worlds Apart)" is a song performed by Journey, recorded for their album Frontiers and released as a single in January 1983. It peaked at number eight for six consecutive weeks on the Billboard Hot 100 chart, and spent four weeks at number one on the Top Tracks chart.
The song is also well known for its use in the films Yes Man, Tron: Legacy, and in season four of Stranger Things.
To accompany the song on MTV, the band shot its first concept video. It was a difficult experience for a variety of reasons, and received mixed reviews from critics. The video was recorded in New Orleans, Louisiana.

Journey - Separate Ways (Worlds Apart)​





Journey - Separate Ways (Stranger Things)​

 
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"Should I Stay or Should I Go" is a song by the English punk rock band the Clash from their fifth studio album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside "Straight to Hell", performing modestly on global music charts. In the United States, "Should I Stay or Should I Go" charted on the Billboard Hot 100 without reaching the top 40. The song received greater attention nearly a decade later as the result of an early-1990s Levi's jeans commercial, leading to the song's 1991 re-release, which topped the UK Singles Chart and reached the top 10 in New Zealand and many European charts. The song was listed in Rolling Stone's 500 Greatest Songs of All Time in 2004.

The Clash - Should I Stay or Should I Go



Stranger Things features period music from artists including Joy Division, Toto, New Order, the Bangles, Foreigner, Bon Jovi, The Police, Echo and the Bunnymen, Peter Gabriel, and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter, and Vangelis. Some songs have been used as narrative elements, such as The Clash's "Should I Stay or Should I Go" within the first season, and Kate Bush's "Running Up That Hill" in the fourth. Some of these licensed songs saw subsequent resurgence on sales charts after the respective seasons of Stranger Things aired, notably "Running Up That Hill" and Metallica's "Master of Puppets" from the fourth season, and Limahl's "The NeverEnding Story" from the third season.

Stranger Things- Should I Stay or Should I go​

 
"Master of Puppets" is a thrash metal song by American metal band Metallica, released on July 2, 1986 as the sole single from the album of the same name. It was also issued as a promotional single in the US by Elektra Records.
The song was recorded during October–December, 1985 at Sweet Silence Studios in Copenhagen, Denmark.
The song was bassist Cliff Burton's favorite one on the album, as he said when it was released. The song is also one of the band's most famous and popular songs, frequently played at concerts.
The song, as lead singer James Hetfield explained, "deals pretty much with drugs. How things get switched around, instead of you controlling what you're taking and doing, it's drugs controlling you.
The song also ranked number 1 on a 100 Greatest Riffs poll conducted by Total Guitar magazine.
In 2020, Metal Hammer ranked the song number 1 on its list of the 50 best Metallica songs of all time.
In 2021, it was listed at No. 256 on Rolling Stone's "Top 500 Best Songs of All Time, and in 2023 was ranked at number 2 on their "100 Greatest Heavy Metal Songs of All Time" list.

Metallica - Master of Puppets​


Master of Puppets | Stranger Things​

 

"I Can Dream About You" is a song written and performed by American singer-songwriter Dan Hartman on the soundtrack album of the film Streets of Fire. Released in 1984 as a single from the soundtrack, and included on Hartman's album I Can Dream About You, it reached number 6 on the Billboard Hot 100.

The song first appeared in Streets of Fire, where it was performed by the fictional R&B group "The Sorels". The real voice behind the version used in the film was Winston Ford, but Hartman's version was the one used on the soundtrack album and released as a single. In a Songfacts interview with the film's musical director, Kenny Vance, he recalled the following:
The same guy that sings lead on that and 'Countdown to Love,' a song that I wrote for the film, was a guy working at a Radio Shack (Winston Ford), and I think when you look at the film and The Sorels are singing it live in the movie, that was the version that was supposed to come out, and I recorded that version. But then when Dan Hartman heard it, I don't know what happened next, but I know that he took that guy's voice off and he put his own on, and he had a hit with it. Hollywood is a very slippery place.
Originally, producer Jimmy Iovine had asked Hartman to write a song for a film he was working on. Hartman was told that the song was going to be sung by four Black guys in a concert situation within the film, and Hartman ended up thinking about a demo he made of "I Can Dream About You". As described by Tuber (1985), Hartman went through some "legal maneuvering to get the benefit of his breakthrough" The use of the song in the film being performed by actors did not feature Hartman on vocals but rather Ford. After some negotiating to enforce the original contract, Hartman insisted he sing the song on the soundtrack, and that his version be released if a single were to be issued from the soundtrack album. Additionally, any music video had to feature his own voice using the song. These clauses helped Hartman become an "overnight sensation" despite the fact that Hartman had been a working musician since adolescence. In an interview snippet from Portzline (2014), Hartman elaborated on another controversy related to the song—stating that "...some people had a fit because it was my name and my voice coming out of this group that looked like the Temptations. It was a big mess, but it was the best I could do under the circumstance."
n the film, the Sorels are played by Stoney Jackson (lead singer), Grand L. Bush, Mykelti Williamson and Robert Townsend (the latter three portraying backing singers). In a 2012 interview, Williamson stated that people were initially confused and thought that Jackson was Hartman. As a result, Hartman was supposedly upset; however, he might have had a change of heart by the following year due to the "good publicity" that the confusion generated (Tuber, 1985) Although the choreography for the Sorels was arranged by Jeffrey Hornaday, the actors eventually improvised much of the dance moves with Hornaday’s support. Williamson further mentioned that he, Jackson, Bush and Townsend received vocal coaching from Jim Gilstrap and they provided background vocals for the track. In the vinyl releases, Hartman, Joe Pizzulo, and Ford are credited as providing backing vocals for the song. Thus, in the interview, Williamson may have been referring to the version that appeared in the film with Ford's vocals. Frank and George Simms, who perform as The Simms Brothers Band and worked as backup singers for artists such as David Bowie, revealed in a 2021 podcast that they sang on "I Can Dream About You" as a favor to Hartman but were uncredited due to the song's quick release thereafter.

Dan Hartman - I Can Dream About You​





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Journey - Separate Ways -Live In Japan 2017​



Journey - Separate Ways (Worlds Apart) Live in Tokio or Tokyo 1983​

 
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"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the Billboard Easy Listening chart and number 86 on the Billboard Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their Made in America album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album It Takes Believers and in 1986 by the country music group Alabama.



The Carpenters' version of "Touch Me When We're Dancing" was released on their Made in America album in the summer of 1981. Placing at number 16 on the Billboard Hot 100, it was the last of their singles to reach the Top 40 after not having a song appear on that chart for over three years. It was also their fifteenth (and final) number-one song on the adult contemporary chart.


The Alabama version was released in September 1986 as the first single from the album The Touch. It went on to become a number one hit on Billboard's Hot Country Songs chart later that year, their 20th straight chart-topper in a string that dated back to 1980.
 
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Arabesque are an all-girl trio formed at the height of the European disco era in 1977, in the West German city of Frankfurt. The group's changing lineup worked with the German composer Jean Frankfurter (Erich Ließmann).
Arabesque were especially popular in Japan. Their songs began being aired on Japanese late-night radio shows in the late 1970s, and with support from groups such as the Takenoko-zoku, they became especially popular with teenagers and a driving force behind the popularity of Western music in Japan in the early 1980s. Their popularity also spread to South Korea, Chinese-speaking countries and other parts of Asia, Eastern Europe and Latin America.

 
"Baby Come Back" is a song by the British-American rock band Player. It was released in late 1977 as the lead single from their 1977 self-titled debut album, and was the breakthrough single for the band, gaining them mainstream success, hitting #1 on the US Billboard Hot 100 for the three consecutive weeks of January 14, 21 and 28, 1978 and #10 on the R&B charts in 1978. Their biggest hit single, the song was written and performed by Peter Beckett and J. C. Crowley, the founders of Player.
As reported on the American Top 40 replay broadcast of November 5, 1977, "Baby Come Back" was written after two of the band members had broken up with their girlfriends.


 
"We'll Never Have to Say Goodbye Again" is a song by Jeffrey Comanor from the album A Rumor in His Own Time, which debuted in September 1976. Written by Comanor, the song describes a couple who spend a night together, one which the narrator wishes would "never end". Both the song, which Epic Records released as a single, and album failed to chart.


Discovered four months later by Arista Records President Clive Davis, "We'll Never Have to Say Goodbye Again" was covered by soft rock duo Deardorff & Joseph for their eponymous debut album, released on Arista. After Deardorff & Joseph disbanded, Marcia Day, who managed Maureen McGovern, became the manager of Deardorff, while Susan Joseph, who managed England Dan & John Ford Coley, became the manager of Joseph. Both McGovern and England Dan & John Ford Coley released covers of "We'll Never Have to Say Goodbye Again" in February 1978; while McGovern's failed to chart, Dan & Coley's spent six weeks at number one on the Billboard US Easy Listening chart, reached number two on the RPM Canada Adult Contemporary chart, and went to numbers nine and eleven on the magazines' respective overall charts.


England Dan & John Ford Coley - We'll Never Have to Say Goodbye Again​

 

"Love Is the Answer" is a song written by Todd Rundgren and performed with his band Utopia. It is the closing track on their 1977 album Oops! Wrong Planet, and was the only single released from the album.​



In 1979, American soft rock duo England Dan & John Ford Coley released their version as the lead single from their seventh studio album Dr. Heckle and Mr. Jive. It reached number 10 on the Billboard Hot 100 chart in May 1979 and spent two weeks atop the Billboard Adult Contemporary chart. John Ford Coley was quoted as saying: "Of all the songs we released as singles, that was my favorite. The song first of all had a classical base, and the middle had a gospel section which I loved."

England Dan & John Ford Coley - Love is the Answer​



Dan Seals, the "England Dan" half of the duo, re-recorded the song in 1995 in an acoustic country music style for the album In a Quiet Room.
 
"You've Got a Friend" is a 1971 song by American singer-songwriter Carole King. It was first recorded by King and included on her second studio album, Tapestry (1971). Another well-known version by James Taylor appears on his album m&d Slide Slim and the Blue Horizon. His was released as a single in 1971, reaching number one on the Billboard Hot 100 and number four on the UK Singles Chart. The two versions were recorded simultaneously in 1971 with shared musicians.

"You've Got a Friend" won Grammy Awards for both Taylor (Best Male Pop Vocal Performance) and King (Song of the Year) at the 14th Annual Grammy Awards in 1972. Dozens of other artists have recorded the song over the years, including Dusty Springfield, Michael Jackson, Anne Murray, and Donny Hathaway.

In 2001, Taylor's version was inducted into the Grammy Hall of Fame. King's version was inducted in 2002.
"You've Got a Friend" is a 1971 song by American singer-songwriter Carole King. It was first recorded by King and included on her second studio album, Tapestry (1971). Another well-known version by James Taylor appears on his album m&d Slide Slim and the Blue Horizon. His was released as a single in 1971, reaching number one on the Billboard Hot 100 and number four on the UK Singles Chart. The two versions were recorded simultaneously in 1971 with shared musicians. "You've Got a Friend" won Grammy Awards for both Taylor (Best Male Pop Vocal Performance) and King (Song of the Year) at the 14th Annual Grammy Awards in 1972. Dozens of other artists have recorded the song over the years, including Dusty Springfield, Michael Jackson, Anne Murray, and Donny Hathaway. In 2001, Taylor's version was inducted into the Grammy Hall of Fame. King's version was inducted in 2002.


 
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