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Apr 16, 2010

S'pore bowler wins US award

<!-- by line -->By Frankie Chee
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Bowler Jazreel Tan yesterday became the first Singaporean to clinch the Rookie of the Year Award from the National Collegiate Bowling Coaches Association in the United States. -- PHOTO: WICHITA STATE UNIVERSITY

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BOWLER Jazreel Tan yesterday became the first Singaporean to clinch the Rookie of the Year Award from the National Collegiate Bowling Coaches Association in the United States.
The award honours the best newcomer at the intercollegiate level across the whole of the US.
Currently enrolled at Wichita State University with an education grant from the Singapore Sports Council to pursue a three-year bachelor's course in sports management, the second-year student is in her first collegiate season with the university's bowling team.
The university's team, known as the Shockers, is a top team with 18 national championships.
Tan, the 2007 World Women's Championships Masters silver medallist, was also awarded the First Team All-American Award. It is given to the top five keglers across all the collegiate competitions.
In addition, she was named the runner-up for the Collegiate Bowler of the Year Award by the Bowling Writers Association of America.
Read the full story in Friday's edition of The Straits Times.
 
Another Bites The Dust

Man dies of uterine cancer linked to kidney transplant <!-- google_ad_section_end(name=story_headline) -->


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  • By Jennifer Peltz in New York
  • From: <cite>AP </cite>
  • May 28, 2010 2:25PM

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A New York man contracted uterine cancer after a kidney transplant from a woman already suffering with the cancer / AP. Source: AP


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<!-- // .article-media --> <!-- google_ad_section_start(name=story_introduction, weight=high) -->VINCENT Liew waited five years for the kidney that was supposed to change his life. Instead, the organ ended it.


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<!-- // .story-intro --><!-- google_ad_section_start(name=story_body, weight=high) --> The kidney came from a woman who had uterine cancer, but she and doctors didn't know it. Once her disease was discovered after the transplant, Mr Liew's doctors highly doubted it could spread to him.
But in seven months, Mr Liew was killed by cancer that his autopsy linked to the transplant. His death, the subject of a medical malpractice trial in which closing arguments were scheduled for today, is believed to be the only reported instance of uterine cancer apparently being transmitted by transplant, medical experts say.

The case has reignited questions about the sometimes hidden risks carried by transplanted organs, risks that transplant experts say they have worked to minimise but can't eliminate - but are worth taking for many patients.


<!-- // .story-sidebar --> Mr Liew, a 37-year-old from Singapore who worked in the Hong Kong Economic and Trade Office in New York, didn't know the chance he was taking with the February 25, 2002, transplant that held the promise of freeing the diabetic from three-times-a-week dialysis.


"He was very excited, very happy," his widow, Kimberly Liew, testified last week, according to the Daily News. But, she said, he ended up with "a bomb in his body."
Donor Sandy Cabrera had died of a stroke about a day earlier. The 50-year-old had seemed healthy until she collapsed while checking e-mail at her Newburgh, New York, home, and she and her loved ones had no clue about her cancer, said her boyfriend, Michael Daniels.


"I feel real bad for the guy who got the kidney, but I'm telling you, no one knew she had cancer," Mr Daniels said in a telephone interview.
The doctors who treated her at St Luke's Cornwall Hospital in Newburgh didn't know either, until an autopsy found the uterine cancer days after her death, according to testimony.


The news didn't reach Mr Liew's New York City transplant surgeon, Dr Thomas Diflo, until April 17, 2002, according to testimony. It's unclear why the information didn't travel faster; St Luke's declined to comment, and the organisation that arranged the transplant, the New York Organ Donor Network, didn't immediately return a call yesterday.


A gag order has prevented all the parties from speaking about the case outside court.
Dr Diflo testified that he told Mr Liew the safest plan was removing the kidney, but the odds of Mr Liew developing the cancer were slim, given its origins in the female reproductive system.


"It would be extremely unusual for a man to get cancer of the uterus," Dr Diflo testified he told Mr Liew, according to the Daily News.
Mr Liew decided to keep the organ, and Dr Diflo said he respected his patient's choice. Tests from May to August found no indication of cancer in the kidney, according to testimony.


Suffering from back pain, Mr Liew had Dr Diflo remove the kidney on August 29, 2002. Tumors were readily apparent, according to trial testimony, and Mr Liew died within a month.


His autopsy attributed his death to cancer that derived from the transplant and had genetically female cells, though it didn't specify the form of cancer. Dr Robert Gelfand, a NewYork-Presbyterian/Weill Cornell Medical Centre cancer specialist who reviewed the records for Mr Liew's widow, concluded Mr Liew died of uterine cancer.
Kimberly Liew is suing the transplant hospital, NYU Langone Medical Centre, saying doctors there should have removed the kidney as soon as they learned of the donor's cancer.


Ms Cabrera's family also donated her heart and other organs, Mr Daniels said. It's unclear who may have received the organs and how they have fared.
The federal Centres for Disease Control and Prevention estimate that one per cent of US organ transplants are suspected of transmitting illnesses, though data are sparse.
Some 23 transplant recipients in 2007 - out of about 28,000 recipients nationwide that year - were judged to have at least possibly contracted cancers, HIV, tuberculosis and other diseases from their donors, according to a 2009 article in the American Journal of Transplantation. Twelve of the recipients died, according to the article, which examined reports made to the national Organ Procurement and Transplantation Network.


The organ network's policies call for screening potential donors for various diseases, including HIV and syphilis, as well as compiling as much information as possible on the would-be donor's medical and personal history to scout for diseases the tests might miss. Organs with known, active cancers generally aren't used.
But some cancers and other diseases can't always be detected in the short timeframe transplants requires, usually within a day, said Dr Jeffrey D Punch, the University of Michigan Health Systems' transplant chief. Or a donor may have been infected too recently for tests to find.


For many patients, those fears are outweighed by the potential benefits of a transplant that could vastly improve or save their lives.
More than 107,000 people nationwide were on transplant waiting lists as of yesterday, according to the United Network for Organ Sharing, which runs the national transplant network. More than 900 people have died while awaiting transplants this year.
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“Everyone” – An Anthem for Youth Around the World

<title>Scoop: Five Youth Stars Premiere Youth Games Theme Song</title><!-- Scoop is Copyright (C) 1996-2010 Scoop Media Ltd All Rights Reserved --> <table class="story-top" border="0" cellpadding="0" cellspacing="0"> <tbody> <tr><td colspan="2"> Five Youth Stars Premiere Youth Games Theme Song

Friday, 28 May 2010, 11:42 am
Press Release: Singapore2010 Youth Olympic Games </td></tr></tbody></table><!--first blockquote gone!-->
Five Youth Stars From Five Continents Premiere Singapore 2010 Youth Olympic Games Theme Son


“Everyone” – An Anthem for Youth Around the World


Singapore, 27 May 2010 – Premiering world-wide on 30 May 2010, the Singapore 2010 Youth Olympic Games theme song “Everyone” combines the musical talents of five top singers – Jody Williams, Sean Kingston, Tabitha Nauser, Steve Appleton and Jessica Mauboy – to create a global anthem for today’s youth.
Written and produced by acclaimed Singaporean record producer and composer Ken Lim, "Everyone" reflects the spirit of the first-ever Youth Olympic Games which will bring over 3,600 young athletes together in Singapore to compete in August.
“These five talented performers – one from each continent – are a source of inspiration for youths all over the world for reaching out for their dreams until they have achieved success,” said Ken Lim.
While still in high school, Africa representative Jody Williams, balanced academics and singing to release her debut platinum-selling album. Representing the Americas, singer and song-writer Sean Kingston topped the US and UK charts at the age of 17 with global hit ‘Beautiful Girls’. Tabitha Nauser, the youngest among the five and touted as Singapore’s Beyonce, represents Asia, having won the hearts of critics and the general public with her soulful voice, maturity and positive attitude. Representing Europe, ‘Dirty Funk’ singer Steve Appleton has won indie fame as a song-writer, composer and producer who uses social media to share his music. Oceania representative Jessica Mauboy has enjoyed a string of ARIA chart hits and albums that have gone gold and platinum – all before turning 21.
The “Everyone” music video features the five stars performing at Singapore’s best-loved landmarks such as The Float@Marina Bay, Marina Barrage, and the Singapore Flyer. Combined with clips of aspiring young athletes, the 3-minute, 46-second video celebrates the Olympic values of Excellence, Friendship and Respect.
All five singers will reunite in Singapore to perform the song “live” on 14 August 2010 at the Opening Ceremony of the Singapore 2010 Youth Olympic Games. Televised worldwide, the Opening Ceremony will be held at The Float@Marina Bay, the world's largest floating platform.
"Music, like sport, cuts across all cultures and geographies to unite youth everywhere,” said Mr Goh Kee Nguan, CEO of the Singapore Youth Olympic Games Organising Committee. ““Everyone” is an inspiring anthem for youth; it connects them and celebrates their hopes and dreams of success, of making their mark in the world – just like what the young Olympians hope to do when they compete during the Singapore 2010 Youth Olympic Games in August this year. As a young nation, Singapore also identifies with these dreams and we continue to pursue them each day.”
ENDS
About Singapore 2010 Youth Olympic Games – Blazing the Trail
Singapore will be hosting the inaugural Youth Olympic Games (YOG) from 14 to 26 August 2010. The Singapore 2010 Youth Olympic Games will receive some 5,000 athletes and officials from the 205 National Olympic Committees (NOCs), along with estimated 1,200 media representatives, 20,000 local and international volunteers, and 370,000 spectators. Young athletes - aged between 14 and 18 years - will compete in 26 sports and take part in a Culture and Education Programme.
The Singapore 2010 Youth Olympic Games aims to inspire youth around the world to embrace, embody and express the Olympic values of Excellence, Friendship and Respect. It will create a lasting sports, culture and education legacy for Singapore and youths from around the world, as well as enhance and elevate the sporting culture locally and regionally.
 
Next Time You're in ... Singapore


Thursday, May. 27, 2010
Next Time You're in ... Singapore

By Kari Lipschutz



Kindle and iPad lovers beware: e-readers may seem less palatable after a visit to this old-fashioned literary shrine tucked away in Singapore's Chinatown. Books Actually, booksactually.com, is a three-level sanctuary for those who revel in cracking the spine of an actual book, as opposed to a virtual one, and shudder at the thought of a sterile chain-store shopping experience. Located on Club Street, the bookshop cum publishing house cum stationery company is part of a strip of independently owned stores and cafés that have taken over restored early 20th century shophouses. The big brands don't live in this corner of the Lion City's vast consumer landscape, but Hemingway and Nietzsche call it home. (See 25 authentic Asian experiences.)
Vintage decor, from old typewriters lining the staircase to still dusty antique cameras perched atop bookshelves, set the tone for an idiosyncratic selection of titles made by owners Kenny Leck and Karen Wai. This is the place to find such arcana as Troy Chin's graphic novel The Resident Tourist and The Space of City Trees by Singaporean poet Arthur Yap. Math Paper Press, Books Actually's imprint, also publishes limited-edition works by lesser-known, primarily local, authors. It recently came out with Ceriph, a Singaporean literary journal, and plans to launch a new collection of verse by poet Cyril Wong called Animal Season.
In addition to the bric-a-brac and books covering the walls, shelves are punctuated by quirky postcards issued under the brand name Birds & Co., Leck and Wai's stationery venture. The offshoot produces delicately crafted paper products, custom-printed cards and engraved pencils. So if you're feeling inspired by your visit, you can pick up one of those hand-stitched journals, take hold of a pencil inscribed with George Orwell or some other hallowed name and start making a book of your own.
 
Singaporean Poh takes amateur title in Negri Sembilan

Friday May 28, 2010

Singaporean Poh takes amateur title in Negri Sembilan


SINGAPORE’S Johnson Poh clinched the men’s title in the Negri Sembilan Amateur Open golf championships after a sudden death playoff with countryman Jerome Ng at the Seremban International Golf Club (SIGC) recently.
Both Johnson and Jerome were tied on 220 after three rounds and forcing the champion to be decided on a playoff at the 18th hole.
After three playoff holes, Johnson emerged champion.
The 19-year-old Johnson was excited with his triumph.
“My game was so-so. There was not much pressure during the playoffs.

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Triumphant ending: May Myo (second from left) and Johnson (right) with Mohd Yaacob (left) and Datuk Seri Mohamad Hasan.


“The course here is quite similar to the ones back home, although I do need to practice more, work on my shots and build my confidence,’’ said Johnson after receiving the challenge trophy from SIGC president Datuk Seri Mohamad Hasan, who is also Negri Sembilan Mentri Besar.
Myanmar’s Yin May Myo carded a two over 74 on the final day for a 224 to win the women’s title in the three-round competition.
First-round leader Caryn Khoo settled for the second spot.
Mya Myo said she was happy to win despite all the obstacles she had to go through.
“At one stage, sand accidentally entered my eyes and made it difficult to see where the ball has landed,’’ said May Myo.
The championships was organised by the Negri Sembilan Golf Association and supported by the Malaysian Golf Association.
MGA vice-president and SIGC captain Datuk Mohd Yaacob Mohd Kassim said the championships was a big success.
 
I love my country, I hate my country

I love my country, I hate my country



By: (Thu, 01 Jul 2010)


Award-winning Singaporean playwright Alfian Sa’at talks to BISSME S about writing and his love-hate relationship with his homeland.


What are some of the challenges you face as a writer in Singapore?



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I am inspired whenever I come to
Kuala Lumpur. I feel there are
little pocket freedoms which I do
not find in Singapore. There is
greater freedom of expression in
Malaysia. The idea of democracy
is better practised
here."
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Where do I start? Some of the challenges that we face are universal. It is difficult to make a living and a career out of writing and publishing in Singapore. For a country of 4.5 million people, I believe that there are fewer than 10% who are active readers. From that percentage, even fewer pick up and read works written locally. Readership is a challenge. We don’t have a reading culture. If you look at the bestseller lists, they are works, in a sense, already successfully and globally marketed, like Harry Potter. A lot of self-help books reach the bestseller list. That happens to be the reading diet of the Singapore population.​



Why is this the reading pattern?

I think it comes from this idea that any kind of reading should be sort of instrumentalist, which means that you don’t read for pleasure alone. You read for some kind of edification. You read for a purpose, like improving your life. I find self-help books strange and presumptuous, trading on the idea that you can actually prescribe certain things for every single individual.
I think we are a complex people and I believe in us as individuals. I don’t think one self-help book is going to have the one size fits all solution. I must say in terms of theatre, it is a little better because you are not competing with international works. We are able to make inroads when it comes to theatre.
Of course (Singapore’s) film-makers and writers who are producing literature are facing stiff competition from Hollywood and pulp fiction paperbacks from other parts of the world. We are also competing against books by people who won the Booker prize or who are Nobel laureates. There is an attitude among Singapore readers who will say: ‘You have not won some international award, why should I read you?’


Are you not happy as a Singaporean?

Yes (we laugh). But I have to qualify this. It is unhappiness, an agitation, which I think is a source of a lot of creative energy. It is not a paralysing kind of unhappiness. It is an unhappiness, I think, that compels me to try to figure out certain questions. What it means to be a Singaporean … nationhood, belonging, ethnicity and identity. I hope it is not just something that ends up being a kind of involuted, armchair critic kind of complaining. I am, of course, unhappy.
Picking up a copy of Straits Times in Singapore can ruin your morning. You wonder whether they really had to report on the ministerial speech at a community centre.
It is just rehashing the same thing you have heard for the last four decades. It is so pro-government. The Opposition is always portrayed in an unflattering light.
But it doesn’t take much to read between the lines. Obviously, I am not happy with the situation. I feel as if I am not getting real access to the real information.

From your writings, one feels you faced some discrimination as a Singapore Malay?
I have been a beneficiary of the system. It is not as if I am a Malay, I am denied, like say, access to subsidised education. It has not happened to me.
But I don’t think writing is solely about your own personal grievances. I have this platform where I can share certain ideas and information. There is a certain responsibility to speak up on behalf of other people who have been discriminated against because of their ethnicity. I have heard a lot about working class Malays facing discrimination. I believe I should write about all these incidents.


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Happy Endings: Asian Boys on stage
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Are Singapore’s Malays being discriminated against?​


Singapore likes to compare itself to Malaysia, using Malaysia as a negative example. Apparently, the twin pillars of Singapore’s ideology are meritocracy and multiracialism.
Singapore’s ideology sounds good on paper and in principle. But what they ignore is that not all races are in equal proportion in society. There is still a dominant Chinese majority in Singapore. When you are the majority, you form the bulk of your market. Your images in the media are everywhere, etc. So you need to do something a little extra for the minorities who are not going to have this kind of resources simply because they form a smaller number.
But I think a lot of people in Singapore especially the Chinese don’t realise what they are enjoying is majority privilege. They think that just because everything is supposedly meritocratic, there is no such thing as market forces that will favour the majority. Why don’t I see Malay faces in magazines and advertisements? The reason is simple. Because you want to sell to the majority. The buyers want to see faces they can identify with. The question is what should the state do to prevent minorities from feeling alienated by all these market forces?


Can you cite an example of blatant discrimination?

There is still discrimination in the army. A Malay would not be assigned to a sensitive position in the army. They will not get to deal with areas like military intelligence and handle more sophisticated weapons. It has been happening for so long. But the thing that makes me unhappy is the government doesn’t admit it.
When these questions are raised, they keep insisting the army is meritocratic. It isn’t. I’d rather have a government that comes out in the open and says: ‘We do not recruit Malays into higher ranks because of security issues ... because we think their loyalty might be torn between Singapore and neighbouring countries.’ Only when this is out in the open, perhaps then we could have some healthy discussions.
But if they do this, of course this would invite a response from neighbouring countries. I believe that none of the neighbouring countries want to attack Singapore. It has no strategic depth. No natural resources. The rhetoric in Singapore is that other countries are ‘envious of our success’. I don’t think there is envy. But there is pity. Because here is a country with such a delusional sense of self-importance that it devotes so much of its budget to defence, and wastes productive years of the lives of its adult males through mandatory conscription.


But if you were the defence minister would you put Malays in higher positions in the army?

Yes, I would. Even the Israeli army recruits Arabs. In terms of social integration, it is absolutely important we do not mistrust any members of our society.
I believe their rationale is the Malays still have an attachment to Malaysia and we need to wait for several years until they feel fully Singaporean. But my rationale is: How can we feel fully Singaporean if we are not integrated into the army and made to feel Singaporean? Just because you are born in some Singapore hospital doesn’t make you feel Singaporean.
You have to go through a certain rite of passage and citizenship that makes you feel for your country. It must make you say: ‘I will fight for the army because it happens to be an army that trusted me to fight for my country.’ You must have confidence that a citizen will execute his duty as a citizen. Malaysia has had non-bumi generals for so long. Singapore never had a Malay general since independence in 1965. Only last year we had an Indian-Muslim colonel promoted to the rank of brigadier-general. It has taken them so long to appoint a Muslim general.


How do non-Malays in Singapore react to your statements?

I have more non-Malay friends than Malay friends in Singapore. I always put my views in an honest way but never in an aggressive way that will make them feel offended and defensive. But for some people in Singapore, even raising such issues puts them on the defensive.


Some consider you are ultra Malay. What is your comment?

To be an ultra Malay, I have to speak Malay well and be rooted in Malayness ... wearing songkok, samping, waving the keris (he laughs). But I don’t. I speak to my parents in Malay. But my first language is English. I even dream in English. So it is hard to be a racial chauvinist when you can’t even speak the language well. When I see a lot of this ultra Malay gestures in Malaysia, I feel nauseated because they are the same as the ultra Chinese in Singapore. Someone raising a keris is the same as a Chinese talking about the superiority of Chinese culture and their 5,000 years of civilisation.


Have you gotten into trouble with the law over your views?

I have never broken any law. But I also know there is the ISA where you do not need any evidence to catch you. I have not been detained under the ISA. But in Singapore, the process of making art comes under so many regulations. There are so many guidelines we (the artists) have to subscribe too. I had issues with censorship.


Can you give some examples?

In one of my plays, I wanted to include a scene where in the future, Malaysia decides to cut the water supply to Singapore. So some Singaporeans travel to the North Pole to transport back some icebergs. The scene was considered sensitive and we had to pull it out.
In 2001, in my poetry collection, History of Amnesia, there was a bit where I included poems on ISA detainee Chia Thye Poh. He had spent 32 years in detention under the ISA. I had a hard time getting a publishing grant (from the government). In the end, my application was turned down with no written explanation.


What misconceptions do people have about you?

That I am an angry young man. But when they meet me, they are surprised to find me soft-spoken and mild. They can’t match the writer and the person. I feel I have disappointed them.


Why are you often in Kuala Lumpur?

I am inspired whenever I come to Kuala Lumpur. I feel there are little pocket freedoms which I do not find in Singapore. There is greater freedom of expression in Malaysia. The idea of democracy is better practised here. There are no demos in Singapore. The idea is foreign to Singaporeans. Nobody has any idea what takes place in a demo ... what it feels like to shout a slogan or even hold a placard. Of course there are also repressive measures when it comes to Syariah law here. I do not want a kind of Jais (Jabatan Agama Islam) in Singapore. I do not want moral policing or even vigilantism.


Why do you want to see a demo in Singapore?

I am not saying that we should have one just for the sake of it. But if there is some legitimate grievance, then this avenue should be available. I think it is possible to have demonstrations conducted in an orderly fashion. The Singapore government is not so much afraid of the law and order aspects of allowing a demonstration. They are more afraid of public expressions of unhappiness over their rule.


Many Muslims believe the community needs the moral police. What is your comment?

We should be clear about the reach of the law when it comes to governing behaviour. When you behave in a way that harms others, obviously it is a crime and you need laws to curb it. When you are doing certain things in private and where the principle of harm cannot be demonstrated convincingly, I don’t think those are things that require legislation.


Do you hate your country?

In the foreword to my latest book (Collected Plays One), Ivan Heng (a Singapore theatre director) said that after reading my works, he realised that I hate Singapore as a lover would. Only the ones you love can hurt you. For example, if a waiter serves you late, you get annoyed but forget about it the next day. But if you felt wounded by someone you love, the pain stays for very long.
If I felt affected by some things that are happening in my country, a part of it is because I love Singapore. Of course, not in a facile, flag-waving kind of way. The frustrations come from seeing so much potential going to waste and being neglected.


What made you want to be a writer?

I wish I could tell you that there was a book that transformed my life and I wanted to be a writer. I wish I could tell you that I met this author and we shook hands and I felt something pass through me and I wanted to be writer. But the reality is I just love writing. Writing is one of those few things in life that I am probably good at. Writing is something that keeps me sane, that keeps me balanced, and that keeps me alive.
 
June 30, 2010

<NYT_HEADLINE version="1.0" type=" ">Back Out of Singapore's Shadows</NYT_HEADLINE>

<NYT_BYLINE>By SONIA KOLESNIKOV-JESSOP

</NYT_BYLINE><NYT_TEXT><NYT_CORRECTION_TOP></NYT_CORRECTION_TOP>SINGAPORE — During the 1960s and ’70s, the Singaporean artist Yeh Chi Wei created highly distinctive oil paintings, drawing inspiration from a wide range of cultural and historical Asian sources while also incorporating Chinese ink calligraphy techniques. As the leader of the Ten Men Art Group, a loosely-knit group of art teachers and artists that would morph in 1970 into the seminal Southeast Asian Art Association, he played a key role in developing the Singapore art scene. Yet, his name fell into near obscurity after he moved, seemingly at the peak of his career, into a village in Malaysia.

“The Story of Yeh Chi Wei,” a major retrospective at the Singapore Art Museum running until Sept. 12, sheds new light on the artist’s achievements and his importance as one of the country’s pioneer artists.
“Yeh Chi Wei is one of the artists whose art-historical significance needs reassessment,” said Kwok Kian Chow, the director of the National Art Gallery of Singapore. During his life “he had clearly made a significant impact on the art of Singapore and Southeast Asia, which this exhibition demonstrates.”

The co-curator, Ong Zhen Min, acknowledged that besides having read “a few mentions in texts,” she did not know much about the artist before she started working on the show.
“It was not until we delved into the archives that we realized how interesting and innovative this artist was, and understood the uniqueness of his art,” she said. “Most of his paintings were in his Malaysian studio and were not widely circulated beyond that point, so his name faded into obscurity. We hope this exhibition would be able to reintroduce audiences to his art works.”

Yeh was born in a village near Fuzhou, China, in 1913. He studied at the Xinhua Art Academy in Shanghai despite his father’s objection, but with his mother’s financial support, and graduated in 1936 with a specialty in Western painting. At the outbreak of the Sino-Japanese War the following year, he fled to Singapore then settled in nearby Malaysia — then known as Malaya — after marrying his first wife. In 1952, he was invited to teach at a high school in Singapore and he returned there, where he remained until the late 1970s.

Though he participated in many shows as part of the Ten Men Art Group, Yeh’s only solo exhibition was in 1969. He passed away in 1981 at the age of 68, just as he was preparing his second solo show with 100 paintings.
The Ten Men Group — a misnomer as three women were members — was not initiated by Yeh but he took on a leadership role as the organizer of many tours around the region. These artist trips would be instrumental in shaping his practice, radically changing his style. In the catalog of his solo show, he wrote, “In 1961, I went on a painting trip to the east coast of Malaya with ten fellow painters. It was then that I began to shake off whatever remained of my realistic tendencies.”

What resulted was a breaking down of his forms into planes or blocks. Inspired by Javanese batik, he began to cover the canvas with flat colors, using simple color tones and patterns like lines. In “Drummer,” dated 1965, Yeh recreates the interior of a traditional Javanese house. He frames the single drummer with some batik fabric hanging in a corner and in another some Chinese pots. “It’s a highly romantic notion of life in a longhouse because these are traditionally quite spartan,” Ms. Ong said. “But he obviously wanted to create a sense of decoration.”

Ms. Ong said that an artist who had traveled with Yeh recounted the story of seeing the Chinese pots in the longhouses, as they were retrieved by the tribes people from old sunken trading ships in the region which contained Chinese ceramic cargo.

After trips to Thailand and Cambodia he turned to Chinese stone carving and archaic bronze to convey the solemnity of the ancient monuments he had seen.

“His ideas were quite similar to the other Nanyang artists like Chen Wen Hsi and Cheng Seon Pieng,” Ms. Ong said. Those artists, preceded the Ten Men group.

“He was interested in capturing the locality of Southeast Asia’s lifestyle and culture in his works, but he differed somehow from other artists because he was more interested in capturing the monumentality of the history that we have here,” she added.

Black became a dominant color and he took to using a palette knife to sculpt pictures so they looked as if they were carved out of stone.
In “Miao Girl Pulling a Horse,” dated 1963, he used solid black for the main forms against a lighter-colored background, giving the appearance of negative images similar to that of Chinese ink rubbings.

Ms. Ong said that Yeh was “probably one of the most daring artists” of his generation in his use of black. “Most artists use black to highlight things, but he actually used black and its different shades as a color. From a distance, it almost looks like a cave drawing, which I think is an effect he was trying to achieve,” she said.

In his 1969 catalog, Yeh wrote: “I sought mainly to make every image stone-hard. The lines were meant to convey inherent variations as well as an implicit feel, akin to traditional Chinese calligraphy or painting. There was an ‘ink flavour’ in my use of oil paint.”

Yeh often incorporated calligraphy into his paintings, but he used an archaic style of writing that normally would be found on oracle bones and bronze vessels.

In “Musician,” dated 1975, the artist wrote an inscription on the left inside of the painting: “It is not the difficulties faced by the musician that is to be pitied, but the lack of an appreciative audience which is to be regretted.”

Three years later, he would retire to a remote orchard in Kota Tinggi, Malaysia. He took part in no more exhibitions.

The artist may have been disappointed that critical acclaim was not matched by a corresponding interest from collectors, but it remains unclear whether that was the reason for his sudden withdrawal.
 
Singapore's Remy Ong adds Macau Open crown to list of wins

<TABLE border=0 cellSpacing=0 cellPadding=0 width=596><TBODY><TR><TD vAlign=top width=5></TD><TD height=26 vAlign=bottom width=591 colSpan=2>Home ›</TD></TR><TR><TD vAlign=top width=5></TD><TD colSpan=2><!--//START com_dotcom_view_afp_rel.tpl--><!-- xml for comment --><SCRIPT type=text/javascript>/************************************************ IFrame SSI script II- © Dynamic Drive DHTML code library***********************************************/var iframeids=["myframe"]//var iframeids=["myframe2"]var iframehide="yes"var getFFVersion=navigator.userAgent.substring(navigator.userAgent.indexOf("Firefox")).split("/")[1]var FFextraHeight=parseFloat(getFFVersion)>=0.1? 16 : 0 //extra height in px to add to iframe in FireFox 1.0+ browsersfunction resizeCaller() {var dyniframe=new Array()for (i=0; i<iframeids.length; i++){if (document.getElementById)resizeIframe(iframeids)if ((document.all || document.getElementById) && iframehide=="no"){var tempobj=document.all? document.all[iframeids] : document.getElementById(iframeids)tempobj.style.display="block"}}}function resizeIframe(frameid){var currentfr=document.getElementById(frameid)if (currentfr && !window.opera){currentfr.style.display="block"if (currentfr.contentDocument && currentfr.contentDocument.body.offsetHeight) //ns6 syntaxcurrentfr.height = currentfr.contentDocument.body.offsetHeight+FFextraHeight; else if (currentfr.Document && currentfr.Document.body.scrollHeight) //ie5+ syntaxcurrentfr.height = currentfr.Document.body.scrollHeight;if (currentfr.addEventListener)currentfr.addEventListener("load", readjustIframe, false)else if (currentfr.attachEvent){currentfr.detachEvent("onload", readjustIframe) // Bug fix linecurrentfr.attachEvent("onload", readjustIframe)}}}function readjustIframe(loadevt) {var crossevt=(window.event)? event : loadevtvar iframeroot=(crossevt.currentTarget)? crossevt.currentTarget : crossevt.srcElementif (iframeroot)resizeIframe(iframeroot.id);}function loadintoIframe(iframeid, url){if (document.getElementById)document.getElementById(iframeid).src=url}if (window.addEventListener) window.addEventListener("load", resizeCaller, false)else if (window.attachEvent) window.attachEvent("onload", resizeCaller)else window.onload=resizeCallerfunction MM_swapImgRestore() { //v3.0 var i,x,a=document.MM_sr; for(i=0;a&&i<a.length&&(x=a)&&x.oSrc;i++) x.src=x.oSrc;}function MM_findObj(n, d) { //v4.01 var p,i,x; if(!d) d=document; if((p=n.indexOf("?"))>0&&parent.frames.length) { d=parent.frames[n.substring(p+1)].document; n=n.substring(0,p);} if(!(x=d[n])&&d.all) x=d.all[n]; for (i=0;!x&&i<d.forms.length;i++) x=d.forms[n]; for(i=0;!x&&d.layers&&i<d.layers.length;i++) x=MM_findObj(n,d.layers.document); if(!x && d.getElementById) x=d.getElementById(n); return x;}function MM_swapImage() { //v3.0 var i,j=0,x,a=MM_swapImage.arguments; document.MM_sr=new Array; for(i=0;i<(a.length-2);i+=3) if ((x=MM_findObj(a))!=null){document.MM_sr[j++]=x; if(!x.oSrc) x.oSrc=x.src; x.src=a[i+2];}}//Function to get the ActiveXObjectfunction getvar(){ var xmlHttp; try { // Firefox, Opera 8.0+, Safari xmlHttp=new XMLHttpRequest(); } catch (e) { // Internet Explorer try { xmlHttp=new ActiveXObject("Msxml2.XMLHTTP"); } catch (e) { try { xmlHttp=new ActiveXObject("Microsoft.XMLHTTP"); } catch (e) { alert("Your browser does not support AJAX!"); return false; } } } return xmlHttp;}//Function to list the articlesfunction getIframe(page){ //init ajax variable xmlHttp = getvar(); var url = "/discussion/xmlReaderComments2_only3.php"; var params = "id="+encodeURIComponent('{story_id}')+"&page="+encodeURIComponent(page)+"&days=12"; xmlHttp.onreadystatechange=function() { if(xmlHttp.readyState==4) { //Display results document.getElementById("divComment").innerHTML = xmlHttp.responseText; if(page > 1) { //Call the function update omniture count //exec_omniture(); } } //If still processing, display the loading icon else { //src_image.innerHTML = "
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</TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE><TABLE border=0 cellSpacing=0 cellPadding=0 width=789><TBODY><TR><TD height=26 colSpan=3></TD></TR><TR><TD vAlign=top width=5></TD><TD vAlign=top width=784 colSpan=2>Bowling: Singapore's Remy Ong adds Macau Open crown to list of wins
By Tan Yo-Hin | Posted: 04 July 2010 1602 hrs

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</TD></TR><TR><TD height=60 vAlign=top></TD><TD class=update height=80 vAlign=top><TABLE border=0 cellSpacing=0 cellPadding=0 width="100%"><TBODY><TR><TD bgColor=#f6f6f6 width=138>Photos </TD><TD bgColor=#f6f6f6 width=47>1 of 1</TD><TD bgColor=#f6f6f6 width=18><INPUT id=btnPrev disabled onclick=Prev(); value="<< Previous" src="http://www.channelnewsasia.com/images/butt_previous.gif" width=18 height=15 type=image></TD><TD bgColor=#f6f6f6 width=19><INPUT id=bntPlay onclick=Play() value="Play - Stop" src="http://www.channelnewsasia.com/images/butt_stop.gif" width=19 height=15 type=image></TD><TD bgColor=#f6f6f6 width=18><INPUT id=btnNext disabled onclick=Next(); value=" Next >> " src="http://www.channelnewsasia.com/images/butt_next.gif" width=18 height=15 type=image></TD></TR></TBODY></TABLE>
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Remy Ong
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SINGAPORE : National bowling star Remy Ong has added the Macau International Open Tenpin Bowling Championship to his list of wins this year.

On Saturday, the 31-year-old Singaporean edged out Thailand's Surasak Manuwong 233-223 in the men's stepladder final at the Macau's Complexo Desportivo Internacional do Cotai Bowling Centre to take the Macau Pataca $70,000 winner's cheque.

Malaysia's Zulmazran Zulkifli finished third.

Ong, a three-time Asian Games gold medallist in 2002 and the 2006 men's world champion, reached the stepladder final as the top qualifier after notching a 16-game 3,507 pinfall total in the men's Open masters finals.

It has been a fruitful past eight months during which he clinched the year-end 2009 Qatar Open and the 2010 Bahrain Open and 2010 Saudi Open.

The result will also be a confidence booster for the two-time Sportsman of the Year ahead of this year's Asian Games in Guangzhou, China from Nov 12-27.

The women's stepladder final was won by top qualifier Sharon Koh of Malaysia, who beat Indonesia's Putty Armein 235-159 for the women's crown.

Singapore's best finisher in the women's draw was Geraldine Ng, who just missed the top-six cut to qualify for the stepladder finals when she finished seventh with 3,246 pinfalls. - CNA /ls

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Mardan brings joy to sponsor

<TABLE border=0 cellSpacing=0 cellPadding=10 width=620><TBODY><TR><TD>The Electric New Paper :</TD></TR><TR><TD>GOLF</TD></TR><TR><TD class=font12>Mardan brings joy to sponsor</TD></TR><TR><TD>THE sponsor who coughed up the US$5,000 ($6,900) fine by the Asian Tour would be pleased with Mardan Mamat.</TD></TR><TR><TD class=font12>04 July 2010</TD></TR><TR><TD class=font12>THE sponsor who coughed up the US$5,000 ($6,900) fine by the Asian Tour would be pleased with Mardan Mamat.
The Singapore No. 2 pro had to pay the fine to take part in the OneAsia (a rival body to the Asian Tour of which Mardan is a member) event in Jakarta.
And at the US$1 million Indonesian Open at Damai Indah Golf-Pantai Indah Kapuk course yesterday, Mardan shot a three-under 69 for a 140 total on the second day of the tournament.
He not only made the cut - which means he is assured of prize-money - but is also lying six shots off the pace set by China's Liang Wenchong.
Liang, whose caddie is Singaporean Ibrahim, shot a record-equalling 64 yesterday.
Leaderboard:
134:
Liang Wenchong 70-64
136: Anthony Brown 67-69
137: Shingo Katayama 72-65, Michael Hendry 70-67
Selected:
139:
Thaworn Wiratchant 71-68
140: Mardan Mamat 71-69.
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Sports School student breaks 400m hurdle record twice

Sports School student breaks 400m hurdle record twice

By Kavitha Karumbayeeram | Posted: 06 July 2010 2227 hrs

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</TD></TR><TR><TD height=60 vAlign=top> </TD><TD class=update height=80 vAlign=top><TABLE border=0 cellSpacing=0 cellPadding=0 width="100%"><TBODY><TR><TD bgColor=#f6f6f6 width=138>Photos </TD><TD bgColor=#f6f6f6 width=47>1 of 1</TD><TD bgColor=#f6f6f6 width=18><INPUT id=btnPrev disabled onclick=Prev(); value="<< Previous" src="http://172.31.254.244/www.channelnewsasia.com/images/butt_previous.gif" width=18 height=15 type=image></TD><TD bgColor=#f6f6f6 width=19><INPUT id=bntPlay onclick=Play() value="Play - Stop" src="http://172.31.254.241/www.channelnewsasia.com/images/butt_stop.gif" width=19 height=15 type=image></TD><TD bgColor=#f6f6f6 width=18><INPUT id=btnNext disabled onclick=Next(); value=" Next >> " src="http://172.31.254.243/www.channelnewsasia.com/images/butt_next.gif" width=18 height=15 type=image></TD></TR></TBODY></TABLE>
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T. Piriyah</TD></TR><TR><TD> </TD><TD class=update> </TD></TR><TR><TD> </TD><TD></TD></TR></TBODY></TABLE>


SINGAPORE : The national 400-metre hurdles record has been broken twice in the past three months - and this was after a long hiatus of 16 years.

Singaporean T. Piriyah broke her own record at the Asian Junior Athletics Championships which ended on Sunday in Hanoi.

The Singapore Sports School student came in third with a time of 61.69 seconds.

Piriyah first broke the national record in May, at the Pahang Open, with a time of 62.74 seconds.

The previous record of 62.8 seconds was set in 1984.

The 18-year-old hopes to better her timing at the upcoming World Junior Athletics Championships in Moncton, Canada.

- CNA/al
 
Pagunsan seeks to regain Sembilan Masters crown

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Pagunsan seeks to regain Sembilan Masters crown


Article posted July 06, 2010 - 08:09 PM

Former champion Juvic Pagunsan will have the chance to repeat when he heads the two-man Philippine delegation in the 2010 Negeri Sembilan Masters Invitational of the Asian Development Tour next week in Kuala Lumpur.

The sweet-swinging Pagunsan, who triumphed in this same event in 2007, will several other former champions like Benjie Magada and Singaporean M. Murugiah in the $156,000 tournament starting July 15.

Current title holder Lam Chih-bing of Singapore will head the cast of participants as he defends his crown against formidable bidders in this tournament.

Pagunsan has been in tip-top condition the past month. He won the Mercedes-Benz Masters Thailand in Phuket then finished third at the Asian Tour's Queen's Cup in Koh Samui, Thailand.

The Filipino credited changes to his golf swing for his impressive run and is looking forward to carrying his top form to Seremban.

“I changed my swing three months ago. I got it a little bit flatter on the back swing. I’m hitting it straighter now with my driver. It is giving me more accuracy," said Pagunsan, who holds one victory on the Asian Tour. - RCJ/Adrian Flores, GMANews.TV

<HR>All Rights Reserved. 2006 © GMA Network Inc.
 
Re: Pagunsan seeks to regain Sembilan Masters crown

Henry.JPG


I am Henry Thia . PLease vote for me .
 
Re: Pagunsan seeks to regain Sembilan Masters crown

Li Hongyi
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Top Army whistleblower

Future Master of Sg (Your master)


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ABC's legendary Asia cameraman honoured

ABC's legendary Asia cameraman honoured

By Paul Lockyer
Updated 9 hours 32 minutes ago

Been there, done that: Willie Phua at Iwo Jima in 1982 (Supplied)

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It now seems like another world - a world of reporting before tweets, satellite phones and even videotape.
This was the world of the ABC's foreign correspondents who were posted to Asia from the 1960s, who would file on shaky radio circuits and ship out news stories on film or find a traveller who was prepared to hand carry it back to Australia.
They would often be out of touch for days on end. Even in the early 1980s there was no communication possible from postwar Indochina.
We could be out of touch for weeks at a time finding travellers to hand carry film and radio cassettes from Vietnam and Cambodia back to the ABC's office in Bangkok.
It was a difficult and dangerous working environment, but the ABC was blessed by the support of the resourceful locally-engaged staff, many of whom served the organisation for decades.
One of them was the Singaporean cameraman, Willie Phua.
I was just one of many correspondents who owe an enormous debt to Willie. Like many others, I arrived in Asia as a young, enthusiastic journalist eager to get on with the job.
That was 1979, and a refugee emergency was unfolding as tens of thousands of famine stricken Cambodians were streaming into Thailand, accompanied by the remnants of Pol Pot's Khmer Rouge forces.
Willie was already an acclaimed cinematographer, held in high regard by his peers, particularly Neil Davis, the Australian cameraman based in Bangkok at the time.
The methodical manner in which Willie approached that assignment - the careful planning, the constant assessment of the risk, the calm approach to the locals - was a lesson delivered to many correspondents.
He opened the door to the cultural nuances of Asia and always knew where the best food could be found, and the coldest beer.
From the early 1960s, for more than 30 years, Willie guided a constant stream of young Australian journalists through the ways of Asia, protecting them and educating them through all the big stories across the region.
No-one possessed a stronger work ethic or a more disciplined approach to his craft.
To the ABC's great credit his role was recognised and fostered by the corporation's managers in Singapore. He would roam the region like a circuit judge - off to New Delhi, then Bangkok and on to Tokyo.
Later his nephews Sebastian and Joe would follow in his footsteps, as a Phua dynasty was born.
After some of us had left Asia and our careers had taken other paths we believed it was important that Willie's contribution to Australian television and to building bridges to Asia should be recognised in a more public way.
Wilie Phua was awarded an Order of Australia for his work in 1996.
It was a fitting celebration not just by former foreign correspondents but by their spouses and children who had came to know him as 'Uncle Willie'.
Now Willie Phua's very full life - from his boyhood in Japanese occupied Singapore to his emotional return in recent years to his birthplace on the island of Hainan - has been brought together in the book Capturing Asia.
The work, by former ABC correspondent Bob Wurth, has contributions from many former foreign correspondents.
Willie's extended Australian family, loosely known as the 'Sampan Set', will gather again this evening as the ABC's managing director, Mark Scott, launches the book.
And there, in the audience, will be another long serving ABC staff member from Asia: Joseph Madan, the ABC's driver in New Delhi for 32 years.
Joseph's quick thinking in tricky, strife-torn situations has saved more than one Australian correspondent in India over the years.
His great wish had always been to visit Australia and thanks to the generosity of former correspondents, the ABC, and the Australia-India Council, Joseph has got his wish.
After the book launch, Joseph and his wife Celine will join Willie Phua and his wife Cindy in a banquet in Sydney's Chinatown, surrounded by a generation of journalists and their families, not as colleagues but as firm friends.
 
Last edited:
Olivia Ong

Olivia Ong

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Olivia is a Singaporean singer who made her debut with songs in the English vernacular. She subsequently progressed to singing in Japanese upon the progression of her career in Japan.

Likened to Keiko Matsuda, she won a singing contest and was signed to a Japanese recording company at the age of 15.

After comepleting her O-level examinations in Singapore, Olivia moved to Japan to further her studies and career as a solo artist. There, she became a member of a Japanese pop (J-pop) group called Mirai, before she released her bestselling debut, “A Girl Meets Bossa Nova” at only 19.

With her sultry, soulful and innocent vocals, she has since done her reinterpretation of Frank Sinatra’s “Quiet Nights of Quiet Stars” as well as other jazz and pop numbers.

Part of the wave of Singaporean talents being exported internationally, Olivia has, by far, been the only pop sensation exported exclusively to Japan, while previous stars such as Kit Chan, Tanya Hsu and Stefanie Sun have only been exporting to the Greater Chinese market through Hong Kong and Taipei.

Olivia+Ong+post3381481223079350.jpg
 
Re: Olivia Ong

bowling is a sport?!? lolz. and i would think singpies making more moeny from sining "evergreen" songs, rather than original songs, is quite sad.
 
Re: Olivia Ong

Do you lnow what are the costs involved in producing an album of original compositions?

bowling is a sport?!? lolz. and i would think singpies making more moeny from sining "evergreen" songs, rather than original songs, is quite sad.
 
Music & Lyrics - Dick Lee

Leslie & Sandy

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